It doesn’t seem to take long for the “wee hours” of the night to kick in these winter days. With them comes a very specific, almost hypnotic sadness that anyone who sleep has forsaken knows well. That tag-team of coldness and isolation brought on by the night just can’t be beat sometimes. Swedish goth/doom duo Nattradio know this sensation intimately, as their new album The Longest Night was written and shaped exclusively in the latest hours of the night. Injecting their Katatonia-inspired Gothic doom with elements of ambient music and noir jazz, Nattradio crafted their sophomore record to reflect the somberness of wakeful late nights, framing its ideal listening time in those hours. But will their efforts echo the sadness of the insomniac, or will The Longest Night just make them only long for sleep that much more?
Though Nattradio don’t skirt the qualifications of a metal band like Sleep Token or Ghost do, I am nonetheless reminded of more non-metal bands/artists than metal ones while listening to The Longest Night. Yes, Nattradio’s closest comparison is Katatonia, as songs like “Sketches from the Dark” and “Shifting Baseline” recall the slow, gloomy riffing of The Great Cold Distance, but The Cure seems to seep into The Longest Night’s formula just as often. Take the electronic drumming and wacky guitar effects of “Dark Streets” or the dreamy, heartbroken strings of “Rainbirds” and tell me you can’t picture Robert Smith listlessly crooning over them. Vocally, Martin Boman doesn’t have the grit typical to metal, but rather sits in the breathy middle of David Bowie and Thom Yorke. When engaged in ambient movements, Nattradio bring out the keys for spacious, dark atmospheres of jazzed-up smoothness that recall Poe and, similarly, could slide into the Alan Wake II soundtrack. Nattradio probably won’t hit for metal purists, but listeners of a wider range of genres might find a delightfully varied affair on The Longest Night.
Nattradio lean into their witching-hour moodiness above all else on The Longest Night. Slow, pensive progressions are imbued with mellow synths and Niklas Brodd’s layered guitars, while cold, bright piano chimes away on the interlude “All for You” and the ten-plus-minute title track. Boman’s high, soft delivery lends a precarious edge to The Longest Night, though his approach can feel unsuited for heavier moments and even plain off-key on “Sketches from the Dark.” Further, the soft vocals paired with Nattradio’s consistent bent towards melancholy mean The Longest Night is short on big, memorable moments. Even on The Longest Night’s most rocking tracks, “Shadow Speaker” and “Alright for Now,” the former featuring brisk double-kicks and the latter playing uber-catchy melodeath riffs that The Halo Effect would peddle, everything slows down eventually, and Boman’s wilting voice always brings back the melancholia before too long. In short, Nattradio’s brand of doom doesn’t dish out the riffs or theming meant to Fvneral Fvkk yov vp, but The Longest Night instead deals in a cozy melancholy, coldness you can settle into for a while.
Nattradio’s greatest strength on The Longest Night, however, is striking a compelling balance between busy and airy passages. Quiet verses and loud choruses are nothing new, but Nattradio always nail its execution, whether it’s moving from thumping bass to fist-pumping arena rock in “Alright for Now,” mournful piano to driving guitars on “The Longest Night,” or minimalist ambience giving way to thunderous tremolos on “Shadow Speaker.” The Longest Night’s dynamic mix really helps this end, allowing the big emotional shifts on “Night” and “The Longest Night” the breathing room needed to make it work. Nattradio know how to pace an album, and The Longest Night runs smoothly through its whole 52-minute runtime. Though lacking in powerful, “there it is” moments, The Longest Night is still an engaging record due to its expert balance not in light and dark but in fullness and ethereality.
The Longest Night isn’t anything to ruin your sleep schedule over, but Nattradio are a good group to turn to if you ever find yourself there already. Easy listening and sweetly sad, this is a record I found myself slightly more eager to get back to for each listen. Fans of Katatonia and anything under Goth’s sequined umbrella should consider checking this out. Nattradio knew what they were doing dropping The Longest Night at this time of year, and I’m sure I’ll return to it on some of my own long nights this winter.
Rating: Good
DR: 11 | Format Reviewed: 320 kb/s MP3
Label: Darkness Shall Rise Productions
Websites: nattradio.bandcamp.com | facebook.com/Nattradio
Releases Worldwide: December 12th, 2025
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