It’s time for Kpopalypse roundup! Let’s take a look at some new releases!
Remember kids, it’s not technically a hiatus if the company pinky swears it isn’t to try and rescue their diving share price. I’m sure BTS will do something together again this decade.
The decision to farm off the “dat dat dat dat” hook to cut-and-paste vocal, instead of getting some fucking marimba to do it, saves this song from being the tropical disaster that it could have been. It’s far from Loona’s best but it sure fits them a hell of a lot better than their last few lycra-clad trainwrecks, and unlike so many other girl group songs lately at least it sticks to one idea instead of trying to juggle ten.
Speaking of which, Kep1er’s song is acceptable enough until they hit the skids for the same horrid scotch snaps and lame half-time drops that are ruining a ton of k-pop songs this decade.
The same mid-tempo vibes for “IMVU” work even better here, because Taeyeon is more vocally restrained, which suits her a lot more. I’m not sure why every single fucking song these days has to have the beat drop out in the pre-chorus, if we’ve got a great beat why can’t we just keep it going – but notwithstanding that minor trend-riding fuck-up there’s really nothing to complain about here.
This is the type of “fake live” crap video that I really shouldn’t even include in roundup at all, but making an exception here because 1. it’s actually a half-decent song and 2. it’s Wonho, which is a good reminder for you all to please fill out the 2022 Objectification Survey, which is still open at the time of writing and waiting for you to objectify the k-pop men and women of your choice. The more people who do the survey, the more accurate the results become, so make sure you CLICK HERE and have your say, because if you don’t you have no right to complain if your faves don’t do well!
Definitely the best Dawn song on P-Nation, although if you’re going to base your chorus around a saxophone riff it’s probably a good idea to just double-check beforehand that you have someone handy who can actually play a saxophone.
A punk-pop number very similar to Moonbyul’s “C.I.T.T“, and of about similar quality (i.e very good). I’m not sure which of the two songs I like more, “C.I.T.T” definitely has a catchier chorus vocal melody, but “Beauty Full” has guitars and drums that go harder than not just “C.I.T.T” but also half of Dreamcatcher’s full-group stuff these days and even better it doesn’t have that stupid tempo-lag thing going into the chorus – so who knows? Also Dami is absolutely killing this look, which is a good reminder for you all to please fill out the 2022 Objectification Survey, which is still open at the time of writing and waiting for you to objectify the k-pop men and women of your choice. The more people who do the survey, the more accurate the results become, so make sure you CLICK HERE and have your say, because if you don’t you have no right to complain if your faves don’t do well!
Everyone wants to love Brave Girls, including me – we all love a good rags-to-slightly-less-rags story, and it’s great to see that this video is an advert because it means the girls might be getting paid for it…. ah, who am I kidding, the agency will take all the money and the girls will just get 0.1% interest knocked off their debt, let’s be real. Pity about the song not being anything great but hey if someone says “hey here’s a big chunk of money, please make the most generic song you possibly can for us” why refuse?
All the isolated sections of this song are at least reasonable, but the way it’s been stitched together is just a total disaster. I think I found the villain and he’s in the editing room.
Did they really censor “bitch”? Are we that fucking pissweak in 2022? I guess we are. Last I checked the word “bitch” was pretty successfully reclaimed as a positive thing, censoring it and turning it into the latest “slur” just undoes all that good work various other female musicians did reclaiming it, and moves society and culture backward into a more conservative past. Censoring words is always the wrong decision, no good ever came from it in human history. But then it’s k-pop where everyone pretends that they’re being woke and progressive while sucking gleefully at the teat of huge corporations exploiting workers with shitty working conditions and no pay, and how DARE you criticise their favourite artist’s new musically generic, corporate rubber-stamped organised-crime-funded song, so I have to expect some hypocrisy I suppose.
Why are they traumatising me with the sportball. Make it stop.
The backing track is way cool and actually has some effort put into it, but whoever wrote the melodies sounds like they weren’t even allowed to listen to it, and the result is two parts that don’t fit together.
Dumb kiddies who are probably too young to be reading my inappropriate garbage at all like to complain that I don’t talk about the music enough in roundup reviews, but what am I supposed to say about your faves’ new piece of shit: “sounds like all their other runny musical turds?” I could do a deep musical analysis of this hot garbage if I could even be fucked but it’d probably be too many words in a row for your baby’s-first-attention-span, so maybe it’s best if you fans just shut your fucking mouth and act grateful when I completely sidestep the musical content and talk about their hair or whatever.
Starts promising with that cool riff but they don’t do enough with it, deferring to generic k-pop boyisms too much for the song to really develop.
Okay this is pretty good. It works because the vocals are fairly monotone, so it doesn’t get in the way of the busy backing track, it’s just enough to complement the harmony and not much more. K-pop usually fucks this sort of thing up completely so it’s good to hear them get it right for once.
The sounds are cool, but the song itself, not so much. It really needed just a little bit more to it.
More weird cut-and-paste songwriting – the rap section that starts at 0:15 actually sounds good, but it also sounds like it belongs in a completely different song to everything else around it. Korean pop songwriters are either taking too many drugs or not enough drugs, I’m not sure which but please change the dose and see if that helps.
It’s early Gfriend/Apink/SNSD but with an incredibly clumsy musical arrangement that gives away the amateurishness. It reminds me of the latest Malmsteen album where everything’s just a little awkward and out of time for no reason other than Malmsteen probably thinks he’s god these days and doesn’t need to try.
I normally wouldn’t feature something like this at all but it has Jvcki Wai in it so this is just a public service announcement to let you know that she’s still alive and doing stuff. Don’t get your hopes up about the music, there’s nothing to see or hear here of interest, this is an FYI only.
Given Ulala Session’s history it’s nice to have a periodic reminder that the current members are all healthy and happy, but boring disco music is still boring disco music.
People often feel insulted by my negative reviews, but the fact is that it’s the companies who release this trash who are insulting you by releasing endless waves of cookie-cutter crap and expecting you to just lap it up like a dog. I’m doing my best to look out for your best interests by demanding that they do better, don’t thank me all at once now.
The “dad joke” of k-pop groups is back. They “mustb” crazy if they think we want to listen to this, I “mustb” moving on and reviewing other songs, etc.
mrds
It’s no good reaching for the retro beats if you’re going to reach for the smooth retro beats. This is the kind of bullshit music that started the gradual decline in quality of rap music from its Public Enemy-led heyday into the kind of trash we have now.
Until you get better music taste, let’s just be friends.
This group are still really musically quite bad, and as usual it’s the vocal writing that is the problem. To be clear – because k-pop fans misunderstand this constantly – there’s nothing wrong with the singing itself, which is good enough to do the job, it’s the writing of what’s being sung that is bad. This is actually the problem with about 50% of everything I say bad things about in these roundups, it probably just pains me more with Lionesses than most groups because their vocal writing is a lot worse than most groups, yet they don’t fall into a lot of the other ways in which k-pop groups can be shit, so it means they could be really good one day if they ever bothered to fix this one aspect.
Like a boredom.
When I watched this I started daydreaming and not really paying attention and that’s usually a good sign to just skip over something and delete it from roundup completely, but I wasted so much of my time daydreaming that the song can stay in here anyway, because now I feel like it fucking owes me that three minutes of my life back.
Nice socks, I guess. Sorry, that’s all I got here.
Too washed-out and dreary, both musically and visually, for me to give a fuck.
Starts boring but by the end of the song it’s picked up the pace a little and thank fuck for that.
I got completely sick of this kind of retro-rock lighter-waving shit in the 1990s but you might get some value here, I dunno. Boomers will probably like it, but I just kept nodding off before they switched the guitars on.
I thought this was going to be LE from EXID but no, it’s just some other chick doing the marble-mouthed “indie voice” thing over a slow beat and boring me to death, oh well.
Actually not bad, the visuals are different and the guitar washes are nice, even if it’s a bit directionless.
Oh no they ripped off Jennie’s “Solo” concept, let’s bring out the plagiarism accusations…. oh wait nobody cares if these guys do it, because they look like they can stick up for themselves and would probably just trace your IP and then come around to your house with a baseball bat if you talked shit about them online
When rappers try to be crooners, we are all poorer.
They don’t quite get the beat right but at least they’re trying, that’s more than I can say for most of these rap guys.
Spare me from your fucking “crew” please. Posse raps are mostly so boring, I delete most of them from roundup without even listening. They usually just prove that nobody can tell any of them apart, and in the rare cases where you get one decent rapper in the mix, they make everyone else redundant so you just end up listening to their bit only on repeat, defeating the entire purpose of having a posse rap in the first place.
Just admit it, you don’t like this either.
mrcs
mrcs x 11
The new Kpopalypse computer game will be released this coming week! Please expect it fondly, and in the meantime enjoy this teaser, because if there’s one thing the k-pop world has taught me, it’s that you can never have enough teasers, especially if they don’t resemble the final product in any way.
Freedom from HYBE means more Eunha collabs, I calmly accept.
I don’t have 17 minutes to watch some CGI garbage, someone watch this for me and tell me if it mrs
That’s all for this week – but don’t forget that the Kpopalypse Objectification Survey is now live for 2022! Don’t forget to CLICK HERE and cast your all-important vote! Kpopalypse roundup will return next week!